![]() ![]() ![]() īamboo paintings or art as well as bambooworking could often be found across East Asia as they were viewed as culturally and economically significant.įrom the days of their common origin, Chinese painting and Chinese writing have been allied arts. Because of the volume of bamboo works painted over time, the production of a work of ink bamboo became one of the standard subjects to which an East Asian student could be set in a competitive examination. A viewer of the work can compare the calligraphy of the poem with the calligraphy of the painting, as both are typically inscribed with the same brush and reflect a similar mood and state of awareness.Ī standard primer on classical East Asian bamboo painting is Hu Zhengyan's "Ten Bamboo Studio Manual of Painting and Calligraphy" (1633). The poem is often an integral part of the work as a whole. The bamboo painter often inscribes a poem that accompanies the painting and further elucidates the motif. The contrast between the foreground and background, and between the varying textures represented by the stalks and the leaves, gave scope to the painter to demonstrate his or her mastery with an inkpot and a brush. In a work of bamboo painting in ink, a skilled artist and calligrapher will paint a bamboo stalk or group of stalks with leaves. Works of bamboo painting, usually in ink, are a recognized motif or subgenre of East Asian painting.
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